BY PATTY SMITHERMAN

The Great and First Imagination
paints the dawn at Renvyle House
as the world awakens.
The moon holds yet a tea cup of darkness,
moon’s companion, just before it begins
to fade.
Diffuse brilliant light splashes a deep palette
on everything it touches,
clouds and cottages,
mountain, rocks, water,
soft butter white
darkening to gentle ochre gold,
purple, violet, last midnight’s
blue, indigo.
Nothing stays the same
at this tender threshold of transfiguration
between night and day.
Colors fade or deepen,
every object shining back the color it rejects
in fresh transformation of ancient into new.
POET’S NOTES
Kathy and I planned to gather our thoughts for a day and two nights at Renvyle House, a famous hotel where W.B. Yeats spent his honeymoon. Kathy had been to Renvyle House the year before and knew it had space, solarium-like, where we could begin to process our experiences at the end of our trip. We were up at dawn to pull open the curtains of the almost room-wide windows facing east. We were transfixed at the color show the emerging sun made on every visible thing from the mountains north, to Killary Fjord to the little cottages nearby. There was a continual color transformation — our theme word for the trip and our work.
ARTIST’S REFLECTION
I love sunrise. Most days, I pause and notice it gratefully. I’ll never forget waking up in room 54 of Renvyle House to see a perfectly clear sunrise about to happen. lWith warm bedspreads draped over our shoulders and a cup of hot tea in our hands, we witnessed the sunrise as the crescent moon hovered at the big sky’s edge. The mountains glowed. The icy waters glimmered.
